Category Archives: Vogue patterns

Minerva meetup & my Tarzan Vogue 1289

Minerva meetup

I’ve held off from blogging more about the big Minerva Crafts meetup weekend – it was two weeks ago now, but it’s my time now to reveal my party dress so I can share my other photos too. As I’m sure you can imagine with so many sewists (and fabric) around, it was a riot of fun.

Minerva meetup

The day event was held at Minerva HQ. It was a treat to browse all their fabrics in person and even more so to catch up with all the bloggers and some local sewists too. Obviously I didn’t come home empty-handed: I picked up some grey slubby viscose jersey (I think it’s this one), a beautiful soft and stretchy mid blue denim, and some amazing PU-coated black jersey which I’m going to use for a skater skirt and maybe some slouchy trousers.

Minerva meetup
Minerva meetup

In the evening we had a fabulous meal at Blackburn Rovers FC(!) followed by dancing away til gone 2. A bunch of sleepy but happy Spoolettes trundled back to London on the train the next day. (Somehow Nicole and I found the energy to make a quick detour to Abakhan in Manchester for MORE fabric. Carrying it home was my penance.)

Minerva meetup

So here’s my dress for the evening do, in the glamorous location of the Premier Inn car park. Gosh, I look really short as well. Really should have gone for height over comfort in my footwear.

Minerva meetup

Trying a Rachel signature pose in her absence – hmm no, doesn’t really help.

Vogue 1289

Meaty construction details ahead… As I mentioned, after the fail of my first project I thought carefully about the kind of dress I’d usually pick to wear to such an event, which led me to Vogue 1289, a Pamella Roland design from 2012. It was a bit risky going into slightly unchartered territory as I’d only made one Vogue pattern before and could only find one other version of this dress on the internet. But I was pretty sure that the style and silhouette would work on me and I picked quite a forgiving fabric to work with, so luckily the gamble paid off.

Vogue 1289

And the fabric, ah, this is what I’d call a hidden Minerva gem. A crepe satin with slight stretch and a slinky abstract print in my favourite sludgy colours. And get this – it’s £2.39 a metre! (I’m slightly tickled that the pattern and thread for this dress cost way more than the fabric itself.) I’m buying up some more before it all goes – it comes in a couple of other great neutral colourways too. I call this my Tarzan dress because in retrospect the dappled green print together with the draped shoulder gave off that vibe – grey might have been a more subdued choice. It was really great to work with, with that typical grippiness that comes with a crepe weave so despite looking slinky it’s not too slippery.

Vogue 1289

The most time consuming part of this pattern is definitely the cutting and marking stage. There are 13 pieces to cut and all those pleat placements to carefully transfer. I cut the lining from self fabric too so made sure to carefully label all my pieces so I didn’t get mixed up. I didn’t have time to toile (risky!) but did a lot of basting and trying on throughout construction to check that the drape and fit were working out ok. It’s not a difficult dress to sew overall and the instructions are excellent.

Vogue 1289

The drafting is pretty amazing as well. The front bodice lining pieces have princess-seamed ‘cups’ over which the bias-cut outer fabric loosely flows. This gives a bit of interior support (meaning I could go braless) while not ruining the fluidity from the outside: a very clever element I have not seen before The skirt – cut in one single wide piece – has deep pleats in the opposite direction to the bodice, giving a lovely flattering drape across the hips. Luckily I didn’t have to make many fitting adjustments as I went along, just 1″ off the bodice length plus taking some length off the skinny strap. The pattern recommends you fully interface all the bodice lining pieces, but I wanted a softer drapier effect so left it off.

Vogue 1289

I did a blind hem on both the skirt and lining – the pattern recommends a baby rolled hem, but I didn’t want to come unstuck at the last hurdle so used a technique I know I can do well! I used a matching green silk thread which completely disappears into the print. I gave the hem an extra spritz of spray starch when pressing it to get a nice crisp edge. I only realised later that I’ve hemmed it inside-out – my brain was obviously shutting down by this point.

Vogue 1289

Because of the fabric’s stretch I was able to leave out the back zip completely – I breathed a big sigh of relief when I realised this because fitting the zip is where this type of project always goes awry for me. As you can see I didn’t try any clever pattern matching or placement at all, which I think is fine in such a random print – except I really wish I’d placed the front bodice with the pattern falling inwards, ie in the same direction as the pleats instead of diagonally across them. That’s driving me a bit crazy, and I didn’t have enough fabric left to re-cut it.

Overall though, I was really happy with how this dress turned out. It was really fun to step up to the challenge of making it and I’m glad I had such a great occasion (with such fun company) to wear it to. Be sure to check out everyone else’s dresses on the Minerva blog.

Minerva Network: Vogue 1247

Vogue 1247

For this month’s Minerva make I decided to push myself out of my comfort zone a bit, both in terms of construction and style. I went for a Vogue 1247 blouse in an unusual polyester fabric.

Vogue 1247

The fabric has the look to me of sandwashed silk: it’s dull and slightly rough, but catches the light in a very pretty way. It also reminds me a bit of a soft chambray denim. As well as being interesting to look at, it was easy to sew and feels light and comfy to wear. It’s tricky to iron (and needs a press cloth as it marks) but I think it works with a slightly rumpled finish. It was a devil trying to press out all the origami-style French seams in this top, though! Looking at these photos, it definitely needed one more good press along the front.

Vogue 1247

Otherwise I think it was a good match for this Vogue pattern, which has been on my to-sew list for a while. It’s not what I would consider my usual style (in that it isn’t a knit t-shirt, ha ha), but I love the unusual style lines: the kimono sleeves ending in a rolled-back cuff, the curved hem, front and back shoulder pleats, the centre-front darts and panelled bottom half giving a star-shaped seam effect to the front.

Vogue 1247

It was pretty fun to put together: it all slots together like a jigsaw and the directions include useful extras like where to French seam and how to finish the curved hems. Despite looking complex, I finished it in one afternoon sewing session. I’m generally not a big fan of sewing a bunch of darts and pleats, but I really like the effect they give this blouse so I think it’s worth it from time to time. As you can see, my front seams could be sharper and better lined-up, but I found it tricky to counter the bulk of the French seams with getting crisp points. I think a lighter fabric would make it easier.

Vogue 1247

I didn’t toile, just went a size down as it’s marked as ‘very oversized’. Luckily the fit turned out pretty good: I just opted to add little side vents as it was a bit snug over my hips. Next time I would probably go down a size at the shoulders/bust and up one at the hips. I’d quite like to try this top again in something lighter too; perhaps a floral lawn or viscose for spring. The pattern also includes a cute basic skirt, which I’m looking forward to whipping up soon in some leftover denim. As ever, you can buy the kit for this make on Minerva here.