Category Archives: Tops

A hacky Named outfit

A new little summery outfit of two simple separates, both of which are hacked from Named patterns that I’ve sewn before.

The trousers are the Ninni culottes, sewn up in a lush indigo crinkle rayon that the Fabric Store kindly sent to me. The only thing I changed from my first pair was to convert the pockets from side seam into front yoked. I just can’t stand the way side seam pockets add bulk and flap around, and these yoked ones are actually much easier to prep and sew so it’s win-win. Here’s a quick tute; you can prepare paper pieces or cut these straight onto your fabric.

1. Cut a rectangle for the pocket bag/facing, approximately 16″ wide by 11″ long. The width will be 2x the width of the final pocket bag and the length will be the final length of the pocket.
2. Lay the rectangle on top of your front trouser piece, right sides together and matching the side seam and waistline to the rectangle edges. Cut a curved or straight line through both pieces at the trouser side seam edge. This will be the pocket opening. Mine starts about 3″ in from the edge at the top and is 7″ long.
3. Sew this pocket opening seam using a small (5mm or so) seam allowance. Clip if necessary to release curves, press seam allowances to the pocket facing piece, and understitch.
4. Fold the pocket bag in half, lining up with the trouser waistline and side seam. Sew and finish the bottom edge of the pocket bag, then baste the top and sides to the front trouser leg. Construct the rest of the pattern as written.

The blouse is a rather more extreme hack of the Reeta shirt dress. I wonder when a pattern stops being a hack and becomes essentially a self-draft?! To make this kimono-sleeved blouse from the dress pattern I:

· Merged the back yoke onto the back body piece
· Altered the shoulder seam so it wasn’t forward-facing (took some off the back piece and added to the front)
· Extended the shoulder line to create grown-on cap sleeves
· Drafted a new back facing piece to finish the back neckline
· Left off the collar piece as I did with my previous dress
· Rotated/closed the front bust dart down into added ease, which I then trimmed away from the side seam
· Cut the body and facings off about 14″ below the underarm

I’m considering this a wearable toile, as this space-print fabric (from The Textile Centre) was an impulse buy that isn’t really in my usual style stratosphere but I just couldn’t resist it. Next time I’ll raise the kimono sleeve line an extra half-inch or so as they’re a little bit snug. Otherwise I think this hack came out rather cute, and it didn’t take very long despite the amount of steps. I was sort of more in the mood for drafting than sewing so it was a nice project to try out some advanced hacking.


Faux jumpsuit

Oooh, this weekend’s project is one of my favourites for a while. It’s a fake jumpsuit, i.e. actually separates made up in the same fabric – Named’s Ninni culottes mashed up with Grainline’s Tiny Pocket Tank.


I wasn’t going to buy the Ninni pattern as it’s so simple and I’ve hacked this sort of wide elastic-waist pant before, but I just love their drafting and it was only 10 euros for the PDF. I was glad for the purchase as everything about the drafting is just right for me: the rise, width, waistband etc. I’m happy to pay 10 euros for someone else to deliver me what I want!

Sewing them up was fast and easy, except the part where I dozily sewed the back to back and front to front at the side seams instead of a back to a front, and had to unpick it all, on BOTH legs. Don’t sew when hungover, kids.

I was going to be extra-lazy and graft the leg pieces together as the outer side seam is pretty much straight, but decided I wanted the inseam pockets. I’ve tacked across the pocket top and bottom to try and keep them facing forwards.

The Tiny Pocket pattern doesn’t seem to be available any more; it was Grainline’s first-ever downloadable pattern and I assume the Willow tank has replaced it in the line-up. It’s a real nice well-drafted basic so I’m glad to have it in my PDF stash.

Guts shot; I’m proud I got the binding so neat and flat because this fabric was so difficult to press. I actually self-drafted an all-in-one facing but didn’t have enough fabric left to cut it and no suitable plain stash fabric; there was only just enough left to cut a few bias strips! I sewed the armhole binding flat before French-seaming the side seams, and the neckline binding was done in the round.

The fabric is a poly crepe from Minerva Crafts. Their description of it is spot on: it’s a dream to sew with (apart from not taking a press very well), has a little comfy stretch, is pretty much opaque but very lightweight with a wonderful drape. I love it! I got my culottes and top out of the two metres with very little scraps to spare.

I’m thrilled with these separates; I can see myself wearing them all summer both together and mixed up with other garments.

Ogden camis, and a different construction method

It’s been deliciously warm in London this last week, with more nice weather forecast. A good chance to dig out the True Bias Ogden cami pattern and make use of some remnants I’ve bought lately.

I first made this dress version in some great stretch cotton-viscose that I bought from the Cloth House Camden warehouse shop just this last week. I got the last metre on the roll which was just enough to lengthen the Ogden into a mini dress. To do that I just extended the side seams down by about 9″ (the total length armsyce to hem is 24″) maintaining the flared angle. I’ve been after a basic black slip for ages and I think it’ll work well with a tee underneath when the weather inevitably dips again.

I made another one pretty quickly in this adorable cat-print polyester remnant that I got in Tokyo. I refined the fit a little bit around the top; basically darting out a bit of gaping on both the front and back. I also came up with a revised construction method which I think is a little faster and easier than the the instructions, so I took some photos and wrote up how I did it below. It’s quite similar to my facing tutorial in that the front and back are constructed before sewing them into the ’round’. Here we go – sorry the photos aren’t very good but shout if you have a question.

Complete steps 1-3 to staystitch and create/baste the straps. (…Except I don’t staystitch or baste, because I am a REBEL.) Now instead of sewing the side seams next, pin and sew the front facing to the front bodice across the top edge, securing the straps in the process.

Trim, clip and understitch per the instructions.

Now, lay out and layer up the pieces as follows: back facing right side facing UP; the loose strap ends (attached to the front bodice) right sides facing UP; back bodice, right side DOWN. Again you could baste the straps to the back only here first but I just deal with all three layers at once.

Pin, sew, and trim/clip/understitch the top edge just like the front. Turn right side out and give it all a good press – you’ll have a funny side-seam-less cami joined by the straps as above. Now is a good time to finish the lower facing edges – I just pinked mine – and to add a label to the back facing, as otherwise it’s hard to tell which way round to wear it!

Now to finish the side seams: open up the facing again so the right sides touch. Pin and sew the bodice and facing as one long side seam.

Finish the seam as desired, snip a notch where the facing and bodice meet to reduce bulk, and press seams open.

Turn out, press and ditch-stitch the facing down to the side seam to keep it in place. Alternatively, you could also treat the facing and bodice as one and do a French seam, catching both layers and meaning the facing gets anchored into the side seam. Hem the bottom and you’re good to go!

Silk Dove

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Katie in pale colour shocker! Seriously, all of my 2016 makes have been embarrassingly samey dark shades. My black overlocker spools even ran out, so that was a good kick to embrace the light side. I may also be in seasonal denial, as summer ends and we head into my least favourite time of year, by making a silk sleeveless blouse…

Dove

This is the Dove blouse, the new pattern from Megan Nielsen, which she kindly sent me a pre-release of to try out. It’s a very pretty semi-fitted top with a host of yummy design details like French bust darts, chunky topstitched facings for the V-neck and curvy hem, and a slew of sleeve options, from slim elbow-length to fabulous full-on bell.

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Being me and unable to leave a good pattern alone, I eschewed all the sleeve options, instead adding little rectangular caps and finishing the rest of the armsyce with bias facing. I’ve come to realise that any woven garment with a set-in sleeve rarely gets reached for in my wardrobe unless the drafting is 100% spot-on, plus I’m always overly warm rather than cold so it isn’t actually all that seaosnally-inappropriate. I’ll do a tutorial for the hack if anyone’s interested.

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As usual from Megan’s patterns, the instructions are clear and well-illustrated, and the drafting is just a delight – this was so pleasurable to sew and all came together in a few hours. I cut a Large, which is bigger than my measurements but I like a lot of ease in woven tops. It still fits really nicely around the neck and shoulders, though it dips a bit too long in the back for my preference – I’ll take some length out next time.

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I think the fabric makes this top feel rather special. It’s undyed silk noil from The Organic Textile Company; a bargain at £8.95 a metre. This is probably my number-one fabric both to work with and to wear yet I’ve only used it once before. It’s pretty hard to find in any colours or prints but this raw slubby cream is rather beautiful, albeit out of my usual palette comfort zone. (It does take dye well however, so I’m going to buy more to self-colour.) Some up-close inside shots to show the texture and finishing:

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Self-bias faced armholes and the faced, topstitched neckline.

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The hem facing and centre-front seam.

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French-seamed shoulder seam and French bust dart in the background, the ‘legs’ of which are cut out, so raw edges are overlocked after it’s sewn together.

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The rather directional design details, not to mention the colour, feel a little ‘out there’ for my usual/current style, but I do love it and expect it will get lots of wear. It looks so good with denim (Safran jeans here) and the relaxed shape and dream fabric make it super comfy. Here’s hoping I don’t spill coffee/wine/spaghetti down it too soon… perhaps the real reason I usually stick to dark colours.

Thanks again to Megan for sending me the Dove pattern to try! You can pick it up for 20% off until Friday using the code HELLODOVE.

Dos Mayas

Mayas

I picked out Marilla Walker’s Maya pattern again recently, and ended up making two garments with it as the basis. I’ve worn my first Maya so much that’s it’s starting to look worse for wear, so another was definitely required.

Maya top

Maya top

I threw a metre of this gorgeous new Nani Iro double gauze into a recent Miss Matatabi order and managed to squish a Maya out of it by taking a couple of inches off the length. I also wanted to play with the stripes a bit as usual, so cut the lower half of the front on the crossgrain. The lower half is also cut on the fold, eliminating the button band – I was trying to go for a popover placket effect without the daunting task of sewing a tower placket.

Maya dress

Maya dress
Maya dress

To turn Maya into a dress, I simply cut the top at waistline length and added a gathered elasticated skirt. I like the resulting retro kinda vibe – it reminds me of the 1980s’ take on ’50s shirtwaist day dresses.

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Maya dress

The equally luscious fabric is an Anna Maria Horner rayon called Helios, its crazy pegasus print made more subtle by the moody teal colouring. I got it shipped from the US and got stung with a customs charge, though I think it still wound up cheaper than I would have paid here. And luckily it was dreamy to work with and to wear so it’s worth the cost.

Mayas

On both garments I used self-bias to finish the neckline instead of the included facing, due to both preference and fabric scarcity. Also neither button band has real buttonholes since they aren’t needed for access – I just stitched on the buttons through both layers – making these a quick and gratifying sew that have gone right into wardrobe rotation. Marilla’s patterns always seem to have those special qualities of sewing joy and extreme wearability – I’m excited to see her next release, which is coming very soon

Simple does it

Plantain + Anima

This me-made outfit sort of represents where both my clothing preferences and sewing style is at the moment. Plain, basic, classic, capsule style stuff. Might seem boring on the surface, but I’m getting a kick out of sewing simple stuff well and adding really useful staple pieces into my wardrobe.

Plantain + Anima

The tee is a Deer & Doe Plantain, with some small modifications. I raised the neckline to crew/jewel style, cuffed the sleeve, and made a baseball-style curved hem. The fabric’s a lovely heathery knit from Abakhan which is sort of brushed on the underside so it’s really soft and cosy. TBH I find myself wearing this until it starts to smell bad then pulling it out of the wash to wear again immediately.

Plantain + Anima

The pants are hacked Papercut Animas. This pattern for me is one of those super-adaptable TNTs – I’ve made four pairs in different fabrics and they all look totally different. This one’s in a dreamy viscose-mix suiting I got from Brighton’s Fabricland and the simple alteration was to straighten out the leg at the knee rather than the tapered fit as patterned.

Plantain + Anima
Plantain + Anima

I was actually hoping for an even more exaggerated flare/culotte style leg, so I might take this hack a step further and slash-and-spread the pattern from the hip for a future pair. Here’s some of the inspo I found while dreaming these up. (Click through to the post if you’re in a reader, to see the Pinterest pins below.)



Plantain + Anima

I love this outfit: I feel really cool and comfortable in it, had fun sewing it, and I know both garments will get worn to death. I’ve been buying up lots of plain fabrics in nice luxe natural fibres lately to take this principle further.