Category Archives: Musings

Lazy sewist tips: what’s worth the effort – and what isn’t

lazy sewing tips

Reading Janene’s brilliant 40 top tips for sewists today reminded me of a post I’ve been meaning to do for a while, albeit with a slightly different angle. You see, I’m a lazy sewist – or more accurately, a time-short sewist. While getting great results is definitely important to me and I love the actual sewing process a lot, I do like to cut corners and miss out as many of the boring steps as possible. Sewing time is precious and I don’t want to waste it completing steps that aren’t necessary.

Over the course of the last few months I’ve been realising which steps and techniques really are worth spending time on to get a good finish, and which you can quietly skip and not really notice the difference. Plus some of the ‘worth it’ things actually save you time in the long run! Here’s what I came up with – see if you agree…

Worth it

Deer & Doe Centaurée


I used to think, why on earth would anyone spend their time making a whole other garment just to sit inside the real one? But I’ve definitely seen the error of my ways on this one. Lining a garment means you can enclose all your raw seams so you don’t need to worry about finishing seam allowances too neatly. You can also cleanly finish necklines and sleeves with a simple understitch or topstitch, saving the need to hem or bind edges. I try to burrito dresses and tops wherever possible – it’s incredibly fast and makes a lovely clean finish inside. I also love to line wovens in stretch mesh as you can usually skip darts and pleats and get a nice snug lining in fewer pieces.


I always used to skip this, thinking it was a waste of time. But nope, understitching your lining or facings is completely worth it as it really does help them stay tucked inside the garment and often saves the need for extra topstitching.

Changing needles

DO change you needle regularly, and match the right one for your project (jeans, ballpoint, fine etc). I can now immediately tell if my needle is old or not right for the fabric. For the record, I like Schmetz needles the best as they have colour-coded bands so I know what I have in the machine at any time.


I love a bit of hand-sewing, not least because it’s secretly lazy: one of the few tasks you can do in an armchair in front of the TV. I’ve started hand-picking all my zips and do a fair bit of invisible slip-stitching for facings and inner waistbands.


Yeah, it’s really tedious but massively helps make garments look more polished. I sew the most amount of seams I can without intersecting them and press all at once. Also, tiresome as it is, pressing fabric before cutting and the pieces again after cutting helps with accuracy.

Not worth it


I hardly ever pin anything. I guess that’s just down to preference and practice, but I find I get on fine working by hand and eye to match pieces together. At the most I’ll pin at the quarter and centre points when setting something in in the round. For knits I use Wonder Clips and for hems and bindings I secure with Aqua Glue. For cutting out I use weights (I like these grippy ones) and a rotary cutter and mat for maximum speed/accuracy.

Polka dot skinny jeans


Over the course of making lot of pairs of trousers and shorts, I’ve found that the correlation between interfaced waistbands and well-fitting, non-bagging waistbands is close to zero. It also makes it much harder to sew the inner and outer bands together accurately with one of them stiffly interfaced. My preferred method now is to cut the inner band (or interline) with a rigid fabric like twill and skip the interfacing completely – my favourite handmade jeans use this and they are performing best in terms of keeping their shape and not creasing. I still begrudgingly use interfacing where it really is needed like for facings, but don’t really like facings anyway so try to avoid them.


I rarely backtack at the start of a line of stitching, here’s why: nearly every raw edge will be covered by another seam or hem later on, so it really isn’t worth it for secure-ing reasons. Plus on delicate or loose-weave fabrics (and knits) it can leave an ugly bump or chew up the edge of the fabric: a plain stitch is much easier to press open and stitch over. I find that on the stitch length I use (about 2.5mm) unravelling while I work is never a problem. I also don’t backtack at the start of sewing a hem or seam in the round as then you’d have six layers of stitching over the stop-and-start point.

Following instructions

It’s incredibly rare that I follow a pattern’s instructions these days, unless it’s particularly complex or new to me. Instead I have a stock list now of ways I prefer to make things which can usually be adapted to most patterns – pants construction order, zip insertion, attaching linings and so on. Find ones that work for you and see if you can re-use them on new projects.

Do you agree with me on any points? Or have I massively revealed myself as a corner-cutting sewing fraud?! Any other time-saving tips to add?

A year of sewing in review


Happy Christmas kids, hope you all had a good one. I was very spoiled like usual, and especially got treated to lots of lovely sewing goodies: a few books and a big box full of Merchant and Mills goodies from my sister. My handmade gifts for my mum and Josh also went down very well, so I’ll try to get some photos and share them soon.

As the year draws to a close, I thought it would be interesting to look back on my first year of sewing and review what I actually wear the most from all my makes – and what didn’t get worn at all – and see how it can help me shape what garments I make going forward. I’ve enjoyed seeing ‘top 5’ lists on other sewing blogs, but thought I’d discuss all my varying degrees of success in a bit more depth.

Most worn


Coats: I wear both of my coats regularly, especially my biker coat. Hurrah for my most expensive and time-consuming garments being my biggest win!


Tops: The reversible raglan is definitely my most-worn garment: I wear it as soon as it comes out of the laundry and send it back there again! The fabric and construction have both held up really well and I love the shoulder detailing. I also wear my silk tulip Scout often, even in the cold layered with a cardigan.


Dresses: The feather tunic is my most-worn dress, I just love the colours and it’s so comfy. I wore it on Christmas Day, as you can spy in the photo up top. Likewise I’ve worn my Lola twice already and I’ve only had it a week, ha ha.


I wore my Simplicity 1800 a lot in the summer, and it’s transitioned well into cold weather. Unfortunately the poor quality fabric and construction mean it’s looking a bit ropey these days. I also wore the black and tan dress and Salme grey pussybow dress a lot, but again I’m not happy with my workmanship. It shows how far my skills have come since I made these, and I’d like to make them all again in nicer fabrics.

Worn a bit


Trousers: I wear my Papercut pants occasionally: I still struggle to put an outfit together around them, but because they’re wool they’re so warm and cosy so I want to persevere with them. I wore my Burda deco pants a bit a few months ago, but they don’t really work for winter. I’ll dig them out again in the spring.


Dresses: I’ve worn my storm smock once or twice, but the slightly off fit makes me not reach for it more often. Likewise my other smock is a bit off fit-wise too, I need to take them back to the machine to fix up.


Tops: I wear my two woven Scouts occasionally, but have found I tend to prefer either stretch knits or drapier/lighter woven fabrics for tops.

Not worn


A riot of prints, ha ha. I really love my midcentury mashup dress but haven’t found the right occasion yet: it’s a bit formal for a day dress and a bit cleavage-y for family gatherings. I have the same issue with my pansy dress too. I haven’t worn my staggy Belladone yet either; I think I got too entranced by the cute fabric but it’s a bit too much of a statement piece for everyday and also not cold weather appropriate. Ditto my Simplicity 1651 space dress: I wore it to a ‘Heaven and Hell’ costume party but I don’t think that counts!


Conversely, I haven’t worn my first Dixie ballet dress either, which is surprising as it has the hallmarks of something I should live in (grey, knit, empire line). I think it’s just a bit too plain and dull. I don’t wear my Kelly skirt as it’s just not really my style and it’s too big. I’d like to take it back to the machine and change it up a bit (shorter, different buttons), and perhaps dye it black.

Dead and/or gone

I truly loved my black and white Salme pussy bow dress and wore it a few times in the summer, but the poor quality fabric and construction meant it literally fell apart at the seams and became unsalvageable. I need to find a similar print in a nicer fabric as I always found myself reaching for it in my wardrobe. I gave my vintage playsuit to the charity shop. I had lots of fun making it but I was never realistically going to ever wear it. I wore my Victoria blazer once or twice but I’m not happy with the quality of my construction, so it’s gone to the charity shop too.


What can I learn from this exercise? Plenty, I think:

Invest in quality fabrics and construction:
The items I wear the most are the ones where I feel confident in the fit, my workmanship, and in the fabric’s durability. Easy care in terms of laundry is a big bonus, too.

Know what silhouettes work:
Sewing has made me know my body so much better, and I have a pretty good grip now on what shapes and fabrics I feel comfortable wearing. I won’t wear anything too stiff or structured; I don’t like excess volume in pleats or ruffles; I don’t like showing much cleavage but do like a snug fit around the waist. I wear knits way more than wovens, especially on the top half, so I definitely want to make more interesting knit tops next year.

Not novelty but not boring:
I haven’t worn any of my more outlandish printed pieces much at all, but don’t wear very plain pieces either. I should stick to graphical prints in muted colours or monochrome, and make more colourblocked pieces with solid fabrics.

Think about occasion:
Don’t make garments that only work in a specific season or don’t really have an event that they’re suitable for. Consider how separates will coordinate with other items and how ‘dressy’ dresses are. Given my work at home lifestyle I don’t need many smart dresses or trousers, so making more practical, comfortable garments is what I should aim for.

It’s been amazing learning more about sewing garments this year, and it really excites me that I’ve stuck with it so long (I tend to be a bit of an ADD hobby magpie, ahem). I feel like I’m in a good place now where my skills are improved and I have a better idea about the kind of garments I like to make and that suit me. There is always so much more to learn – I’d especially love to dig into drafting my own patterns – and I already have a long to-sew list for 2014 (including jeans, oh yes). Bring it on.

Fashion Sketchpad

Fashion Sketchpad

I bought the Fashion Sketchpad to keep track of my seemingly endless to-sew list, along with jotting down the random garment ideas that pop into my head from time to time. I’d just been doodling in an old plain sketchbook, but thought it’d be useful to have the figures pre-drawn for me to dress up.

Fashion Sketchpad

Fashion Sketchpad

I’m really pleased with my purchase. The book has a gorgeous thick card cover with silver detailing, and I’m happy it has a spiral-top binding so you can sketch without your hand bumping into the binding (as a lefty I get this a lot). The first few pages have a wealth of information on technical terms, how to measure up, and how to use the book.

Fashion Sketchpad

The book has pages and pages of croquis printed front and back in various poses. (Did you know that these exaggerated model-esque figure drawings are called croquis, by the way? Me neither until now.) Some show the back and front next to each other so you can sketch out both sides together. Mostly there are two to a page, but some 4 to a page as well.

Fashion Sketchpad

This is how I’ll mostly use it – stick in a little selvedge swatch from my stashed fabrics and sketch out what I plan to make with it, along with some notes on the pattern, construction and details. I need to dig out my colouring pencils so I can properly shade them in and get a better idea of how the finished garment will look.

Fashion Sketchpad

I’ll also jot down ideas for projects I don’t have fabrics for yet, such as this reversible colour-blocked dress vision I have in my head. It means I can try to be focused when fabric shopping and think about what I can buy to complete a planned project.

Does anyone else have a system for organising their sewing projects?

Midcentury Mashup dress

Midcentury mashup dress

I think my favourite part of sewing is matching fabrics to patterns. When I clapped eyes on this beautiful print I knew exactly what it was destined to be, and even better, no new pattern purchase was needed as it’s a Frankenpattern of two already in my library.

Midcentury mashup dress

It’s a mash-up of Simplicity 1651 and 1800, used previously here and here. The twist front bodice is a variant of 1651 and I reckoned its Fifites style would be a good match for the print. Gratuitous close-up:

Midcentury mashup dress

It was really fun to put together, with an ingenious method for attaching the shell, lining (yes, it’s lined! Sewing bucket list tick) and centre piece with no visible seams. As I was sewing it I thought that it would make a really cool back bodice piece too, even without the centre piece for a cut-out look.

Midcentury mashup dress

Having sewed both patterns before I knew to make a couple of fit modifications. I shortened the bodice by an inch to hit my natural waist, and took about 3 inches off the top of the skirt so that the pockets sit higher up.

Midcentury mashup dress

It was super easy to merge the two patterns since the construction is the same: I just made sure that the width of the skirt and bodice matched up when I put in the darts and pleats. It’s just maybe an inch too large on the waist, but I’d rather play it safe with woven fabrics.

Midcentury mashup dress

I’m generally pleased with my workmanship here for once. Look at that tidy invisible zip!

Midcentury mashup dress

The fabric, ah the fabric. I’m in LOVE. It was another £2.99/m Minerva bargain but this time the cheap fabric wheel of fortune landed in my favour: it feels so lovely, sewed up well, and oh my the print and colours. Midcentury heaven with a hint of Cubism? In my head, if I was ever on Project Runway (all sewists imagine this at one point or another don’t they?) this would be my final collection’s signature print. It feels so very me.

Midcentury mashup dress

This dress also got me thinking about something that Tilly touched on in a recent post regarding curating a personal style via the items you sew. It’s something I find difficult because I’m so drawn to lots of different fabrics and patterns right now – I’m just a kid in the proverbial and I want to sew all the things. But once my technique is better and I learn what I actually wear regularly I hope I can start curate a sense of cohesion in the items I sew, and create a pulled-together ‘look’ for myself as a result. I’m in admiration of bloggers who seem to have this nailed, such as Tilly herself, Ami, Anna and Andrea amongst lots more.


To help me stay on track, I made a Sewing Studio page of all my makes. I love seeing these on other sewists’ blogs to get an idea of their personal style and I think it will be helpful for me to shape my consistency. I feel like this dress is a good step in the right direction: its sludgy tones, graphic pattern and interesting details are a good basis for a checklist of ‘What Katie Sews And Will Probably Wear A Lot’. Does anyone else try to curate a personal style via their makes?