A really quick one, because this was such a fast and simple sew: a Cielo top from Closet Case Files’ Rome pattern collection. As I realised after Me-Made May, I don’t have a whole lot of tops that aren’t t-shirts and I thought this would be a nice entry level dip into woven tops being essentially a fancy boxy tee. Girl’s gotta have something to wear with all her trousers huh?
This is View A with the cuffs simply left off the sleeves. I nearly used the dramatic pleated sleeves of View B but thought it would take it a bit into ‘fancy’ territory and make it less everyday-wearable, although I would like the make that view in a less bold/luxe fabric. There are also options for a bound or faced neckline and I opted for the facing this time.
I didn’t toile but based my fit assessment on the finished garment measurements and used the handy C/D bust cup pattern piece which is included with the pattern along with the standard B cup option. The fit turned out really nice; I love the length and shoulder point, I’ll probably just take a little narrow back adjustment next time and lower the bust darts a touch.
I’ve had this cheerful royal blue silk crepe de chine in my stash for a while, from The Fabric Store. The colour is about as bright as I’ll go but I love how it looks with my tan Utility Trousers. I think it was a great fabric match for this pattern and I used French seams throughout – even the armsyces which is always a bit harrowing but was worth it in the end. All in all a great little make and I’ll definitely be using this pattern again soon.
(Note: both pattern and fabric were gifts, with no expectation of blog promotion.)
My first pair of Trend TPC12 trousers are one of my most worn and loved garments. They get pulled out several times a week, and unfortunately the rather cheap cotton I used to make them is already starting to pill around the thighs and seamlines. So I invested in a sturdier fabric to make a second pair, but mixed up the colour and design a bit too.
The fabric is rather delicious Kaufman Kobe Twill in Cinnamon which I bought from Sister Mintaka – I had a bit of a spree and bought some tencel twill and Atelier brunette viscose at the same time. It’s a pretty ideal bottom weight and well suited to this pattern: light enough to deal with the bulky seam allowance parts around the fly but enough crispness to hold the vents in place. (Full disclosure – I made another pair before these in a much thicker denim/drill and made an absolute mess of them, despite this being a recommended fabric for the pattern – nope, you can’t do a triple-layered concealed button fly in something that thick!).
Despite being the second/third time sewing this pattern up I still struggled with construction! It’s all totally fine until the fly, which has so many layers and bits to line up and press/stitch the right way that it’s so easy to get really confused, especially with the aforementioned terrible instructions. I really fudged bits of this and had to add strategic hand-stitches here and there to keep things together and looking neat. But from the outside at least they look passable and feel secure.
I am proud however of hacking in some sleek side panel pockets because bizarrely for a pattern which calls itself ‘utility’ pants these have none as designed and I do miss them in my beloved black pair. I forewent the purely ornamental leg flap and instead extended the side panel piece by approx 10″ at hip level. This simply gets concertinaed back on itself to form a pocket, the edges of which get sandwiched into the front and side seams. Easy and effective.
Here’s how that works in detail: 1. On the paper pattern, slice horizontally across the side front panel at mid-hip length and add in a panel twice the depth you want the pocket. Mark notches at the tops and bottoms of the added section. 2. When you come to sew, fold up the pocket extension so notches match again. Press into place, and topstitch along the top of the fold if you like (I didn’t). Baste down at the sides. 3. Sandwich into the centre front and side back seams when they get sewn up.
I’m pleased with these – the colour makes them a bit less of a workhorse than the classic black pair, and this 100% cotton does need an iron every time I wear them. But they do match my Ottowin sandals ever so nicely, and the iPhone-depth pockets are a definite bonus.
Just a quick one to say I have posted about my new Helen’s Closet Yanta Overalls over at the New Craft House blog, as part of their new fabric ambassador program. Pop over there to have a read of how I found this pattern, modifications I made and how I found their white denim fabric to use (spoiler: it’s all good)…
The idea for this project has been percolating in my head for a while, and finally a pattern came along that kickstarted me to make it come to life. Yes, turns out a pastel lilac spring jacket was exactly what my wardrobe needed and it’s really put a bit more colour and variety into my last few days of me-made May.
So weird confession first: this is one of the very first jackets I’ve both sewn and owned. Being a rare type who doesn’t feel the cold that much, I typically wear a coat for the proper winter months, switch out to a knitwear layer for the in-between-y months, and shrug off all outerwear and go t-shirt-sleeves as soon as it’s reliably above about fifteen degrees. But this spring I felt like challenging my layering-ambivalence and having a go at making a garment that could work on top of a tee, be a useful barrier to my sometimes overly-chilly office and feel a bit more put-together than my usual cardi or sweatshirt.
I swooped on the Lysimaque Patterns’ Nénuphar jacket as soon as I saw it in my Instagram feed. I was mostly taken in by the gorgeous patchworked and colour-blocked sample but also realised that it was just the right simple project to test out my jacket needs in a low-stakes sort of way. It’s a very simple but impactful and practical design. The body is basically square with tapered dropped-shoulder sleeves, a stand-less collar (I also have a weird aversion to collars) and lovely huge pockets with an overlapped little chest pocket just for fun. No plackets, cuffs, linings etc to deal with: this lack of fussy detailing and finishing techniques appealed to both my minimalist and lazy tendencies. Win-win.
I was fairly happy with the pattern itself. I did struggle a bit with alignment of the A4 PDF as there are no page borders or match points which I think led to some seams not matching perfectly. The instructions are supplemented with sketchy illustrations and are translated from French into English. I didn’t find some areas super clear, like hemming the lower edge to get a clean finish at the front and the standless collar attachment method, but mostly figured it out using prior art, so I wouldn’t necessarily recommend this if you need more hand-holding. (I have given this feedback to Lysimaque’s owner and she is very open to feedback and providing more guidance.)
I cut a size 40 and am quite happy with the fit. The upper back is a bit too broad but I think that’s to be expected in a boxy drop-shoulder style and I wouldn’t want to over-fit it as you’d probably lose some of the range of motion. The sleeves are a touch short and quite narrow at the hem but I like the wristbone length, and the proportion of the body length is spot on for me.
I used a Robert Kaufman Ventana Twill from my stash, bought originally for Lander pants but I actually find this twill too thin and unstructured for Landers. It’s perfect for this jacket though and quickly put paid to my fears of woven jackets feeling more uncomfortable and restrictive than my usual knitwear.
I finished the jacket with my favourite flat metal buttons from Textile Garden, and did matching copper buttonholes: partly because I thought it’d look nice and partly because my spool of lilac thread ran out just as I was finishing the topstitched hem. I didn’t achieve the neatest finish at the collar-placket meeting point and I’m a bit worried the area feels quite weak and might fray over time. I sewed some bar tacks at the intersection point to try and reinforce it a bit. I chose to faux-flat-fell the other main seams ie overlocked them together then topstitched 5mm from the seam.
I wouldn’t have necessarily selected this lilac colour for a goes-with-everything jacket but weirdly I’m finding it really does pair nicely with large swathes of my wardrobe and I’ve certainly been reaching for it regularly since I finished it. I am unexpectedly keen on it buttoned up as well as loose and I like that it can be worn indoors as well as out as it feels quite shirt-like. I’m not sure I need another one right away but I’m definitely keeping an eye out for a nice forest green or black peached twill for a potential second go.
I spent the Easter bank holiday weekend tackling a heck of a project – some Trend Patterns TPC 12 Utility Trousers. It wasn’t easy but we survived and having road-tested these pants in the following weeks I feel they were worth the effort. I’m especially enjoying wearing them twinning as a black crayon with my cat, who wanted to join me for these photos yesterday.
I’m typically loath to spend £20 on a pattern but I couldn’t get Shauni’s gorgeous version out of my head and as an almost permanent member of the trouser-wearing brigade these days (seriously, never wear dresses any more) I’m always looking for ones with interesting design details to add my my collection.
I guess with Trend – one of the more high-fashion-forward indies out there – you are paying for the drafting and design rather than lovely hand-holding guidance (or indeed an inclusive size range – my hip measurement skims the largest size on the chart). I’d already been forewarned by Charlie, who has also just made an excellent pair, that the instructions were on the skimpy side, and got an extra sense from spending an entire evening cutting the many pieces out on a single layer that it wasn’t going to be a walk in the park kind of make. To that end I procrastinated on getting started – but when I did, while there were painful bits here and there, I did have finished trousers after two half-day sewing sessions.
Fit-wise things were quite straightforward. I cut a 14 based on my hip measurement and it was easy enough to bring in the waist at the centre back and side seams to fit my smaller measurement there. There’s a nice curvy waistband so no gaping and the length is great. The only thing I altered as I went was to lop two inches off the rise as I didn’t want that super-high/super-long-crotch look. I did this straight from the waistline but I’ll alter the pattern to take it off lower down (and maybe add back half an inch) for next time. I could possibly also size down generally but I do like how comfortable these are.
The rest of the pattern however…. there were certainly parts that were cool and interesting to sew – like the origami-folded vents and an unusual but smart and intuitive fly/waistband construction – I feel like some improvements would make all the difference to the overall usability and enjoyment of this pattern, such as:
– The order of some of the steps made things harder than they needed to be at times. For example, you are instructed to close the outseam before finishing the leg topstitching and vent construction. That makes it harder to manoeuvre under the machine to reach the vents as it’s a little leg-shaped tube. There’s no reason not to sew the side seams after the vents are in which would make access much easier. – The pattern pieces aren’t numbered and many have really similar names, which makes it hard to know which one to pick up and use at each point. Or indeed to accidentally sew (+ trim + understitch) the ‘front facing’ onto the pants instead of the ‘front fly facing’ #askmehowiknow. Similarly, notches and marks which are referenced in the instructions like the vent stop point are not labelled on the pattern either. – The instructions have photographs for some steps, but they’re on a cream garment with white stitching so you can’t really tell what’s going on. Sometimes what’s caught in the shot doesn’t really help either e.g. if the fly one was more zoomed out I might have seen I had the wrong piece but it was a fairly useless close-up of the bottom end. – The written instructions are needlessly confusing and need a proofread. Why write ‘attach’ ‘mount’ ‘close’ etc when you just mean ‘sew’? – Some finishing-off type steps are not covered so a bit of judicious gap-filling is needed. Like anchoring the end of the fly and the unsecured edges of the waistband facing.
And here are a few extra tips which if you make the pattern you might want to consider too: – It’s generally not necessary to pre-overlock the raw edges as instructed. I did it as I went which I much prefer; much less tedious. – I would recommend pressing in creases for the hem and vents while they’re still flat as you will lose your notches after overlocking the raw edges. – I would certainly toile or wearable-toile to get the fit and construction down before cutting into good fabric. I used a fairly cheap cotton-linen from Abakhan and it got a bit battered from unpicking in places, though I am glad these are definitely wearable.
For all my gripes about the instructions, I did mostly enjoy this project and I really like the finished pants! They feel cool yet comfy and super wearable – they’re gone into regular rotation since Easter even though the cotton-linen I used creases like a mf so needs constant ironing. I especially love those leg vents, which I’ve tried to show in motion above. I think a white denim pair would be pretty cool and I’m sure it will all go easier the second time around.
I cut a straight size 12 for the toile to fit my hip measurement but the top half turned out way too baggy, so this time I cut an 8 graded to 10 at the hip. It’s actually still turned out quite loose through the leg so a straight 8 probably would have been fine. I could possibly benefit from a small FBA on top, which would be easy to add through the princess seams next time. I love how flat the crisply-faced neckline lies though and there’s no gaping even with only three buttons. (The buttons are vintage milk glass from my endless stash. )
I was going for a relaxed silhouette but tried the suit on partway through construction and decided it did need waist definition. Also the crotch and pockets were hanging very low like it was too long in the body. I didn’t fancy the side D-ring ties included in the pattern – they look a bit awkward and unflattering to me – so I sewed a drawstring channel to the inside waistline and made skinny ties to feed through. The slight blousing effect this resulted in also fixed the length issue!
The only other tweak I made was to level off the top of the pockets to straight rather than slanted, to match the Asos inspiration suit better. I like that the deep hem at the top of the pockets matches the width of the little cap sleeve cuffs. This pattern was lovely to sew overall and unusually for me I followed the given directions almost completely, adjustments aside.
I grabbed the fabric with exactly this project in mind on a recent trip to the wonderful Abakhan in Manchester, a pre-cut piece of slubby cotton-linen blend that reminds me of silk noil costing about £8 for around 2.5m – in Abakhan you pay by weight so I wasn’t sure of yardage at the time. With creative cutting I could just squeeze the Yari pieces on (3m is the recommended yardage).
I got some of this fabric in black too and I’m tempted to use it to make a Yari sister as I reckon this will get a lot of wear as soon as it warms up a little.