Lockdown-pyjama-wear, but attempt to make it a little bit fun and chic? Enter Adrienne.
The Adrienne by Friday Pattern Co is one of those superstar patterns that snaked its way around Instagram and provided lots of inspiration that led to me deciding to make it. It’s a bit out of my usual style zone as I don’t tend to go for statement-y details like those sleeves, but as it’s basically a souped-up tee I thought I’d be on fairly safe ground.
My first one is made in a lovely melange rib knit from Lamazi Fabrics. I made a Medium with no alterations and found that I just needed to tighten up the elastic by half an inch to sit right on my puny shoulders (I used bra strap elastic I had kicking around). As you can see it still slips down a little bit, so I altered the pattern afterwards to remove two inches of ease from the sleeves (there is an alterations line marked to do this). I was surprised by what a fast project it was: cutting was easy as the fronts and backs are the same and the sewing is really quick. I’ve been wearing this version a lot as it’s so comfortable and immediately made plans for a second one.
For my second one I was inspired by this Zara top and bought the fabrics to recreate it from Minerva – the body is bandage rib knit and the sleeves a simple lighter-weight rib.
I like how the reduced-width sleeves sit a lot; they’re still interesting but sit on my shoulders better and almost give a raglan tee effect, especially in my contrast colourway.
This version feels tighter on the body, both as the bandage knit is firmer and thicker, and I accidentally sewed the body together with one piece wrong side out first and cut off the serging and re-sewed rather than unpicking it.
I’m wearing these with my old Style Arc Joni joggers which are basically my indoor (and sometime outdoor) staples. I wore the colour-blocked one under my Robert dungarees last week which looked great, and I need to try them out with some of my other bottoms to figure out how to wear them in a slightly less pyjama context.
I snuck in a Merchant & Mills order just before they shut up shop for a bit: the same cord that I used to make my Philippa pants in a different colour, purchased with exactly this jacket in mind.
It’s my fourth version of the Lysimaque Nenuphar jacket pattern, although the last one pictured above has been sadly misplaced so I’m down to the lilac spring version and the winter coat version (which has seen heavy daily wear all winter). Now the weather’s starting to warm up a bit I fancied a lighter but still cosy version.
I didn’t really make any alterations from the base pattern here other than using a facing to finish the neckline instead of the fiddly pattern method – I’ve included a tutorial below on how to draft and attach this.
This squishy jumbo cord worked really nicely with the pattern and makes the resulting jacket very comfortable. It even works as an indoor sort of overshirt which is convenient given current conditions. I didn’t interface the collar or facings as the cord is quite thick and stable already and I wanted that softer look.
My Pfaff machine handled the bulk and topstitching really nicely. I engaged the walking foot feature for most of the sewing.
Here’s how the facing looks inside and here’s a tutorial!
Draft off the facing pieces from the front and back pattern pieces as shown. On the back, follow the curve of the neckline at a depth of 2-3″. On the front the curve is sort of arbitrary, just make it as smooth as you can, and down the front I’ve used a width of 2″. The yellow line length should be the same for both pieces as this is the seam, mine was about 2 inches.
Cut these out and interface if desired.
Sew the ‘shoulder’ seam of the facings, right sides together, and press seams open. Assemble the jacket’s shoulder seams too.
Prepare the collar pieces together as normal and then baste it in place along the right side of the jacket neckline.
Place the facing unit right-side-down on top of this, sandwiching the collar in the middle. Sew all around the perimeter at a 1cm seam allowance.
Turn the facing to the underside of the jacket, clip curves/corners, and press well into place. Finish the inner raw edge either by overlocking or turning a small hem to the inside. Topstitch along the loose edge to attach it to the jacket shell all around.
Looking forward to wearing this outside again soon!
This fabric has a lot less stretch than my first pair, but I have lost some weight over the last few months, so I cut the same size as before with all my prior adjustments. I had to take in the side seams a little more once constructed to get the close fit I was after. I’m getting similar wrinkles all over the back leg to last time which may mean that a low butt or full back thigh adjustment is needed next time.
Like last time I added a stay into the front and swapped the button fly for a simple zip. I followed Charlie’s recent tutorial for getting a sharp corner on the waistband: I’ve done this so many times now but it’s always good to sense-check your approach with how someone else gets good results, and I like the simple steps she recommends a lot.
The sweater is the famous and much-loved Strathcona by Good Night Day. Fun fact, I used to be an extremely prolific knitter in my early 20s but it really fell by the wayside once I got into sewing – I just don’t have the patience to see a long project through and I’ve eagerly started many sweaters in the interim years only to abandon them partway. However the Strathcona is both super-chunky and very small (thanks to the shrunken fit and 3/4 sleeves) and literally worked up so fast that I didn’t have time to run out of steam once. I had it finished over a week of very casual knitting sessions and it really just worked up in front of my eyes.
I feel like while I still have the basic muscle memory for knitting and can follow instructions with ease, I have lost a lot of finesse with getting good tension and techniques, so the sweater isn’t that amazingly well made. In particular I’m annoyed that the M1 technique I used (the pattern doesn’t give a specific technique) has left uneven lacy holes down the raglan armsyces which I’d prefer would look solid – I’m wearing a black tee underneath here as it looks pretty weird otherwise. I did a pick-up-and-knit-tbl but I think kfb would have been better.
I made the smaller size of the pattern and I like the fit being a bit snugger than how it looks in the pattern photos and on other people. I tried it on regularly (the joys of top-down knitting) to check the body and sleeve length and ended both with a deeper layer of ribbing than in the pattern (12 rows instead of 4). The yarn is Debbie Bliss Roma, a chunky wool/alpaca blend which I bought from LoveCrafts – I only used 4 balls!
The pants are the first project I’ve completely sewn on my new machine by the way – I was lucky enough to get a Pfaff Ambition 630 for my birthday back in January. It coped more than admirably and I will be writing up some more detailed thoughts on the machine soon if you’re interested. Here’s to more isolation-sewing, and maybe even knitting…
I made this dress as a bit of an impulsive palate-cleanser, for my birthday drinks last week and using some fabric I’d only bought the night previous!
The pattern is the Fibre Mood Vienna dress which was kindly sent to me by them as part of their pattern-preview blogger network. (It was back in September so it’s hardly a preview any more though, ha ha.) I was drawn to the chuck-on easiness of the style and am feeling like after a long period of very trouser-centric dressing I might want to try bringing some more dresses back into wardrobe rotation.
I picked my size according to the measurements chart and the fit turned out well. The shoulder draft of the bodice is particularly nice and the skirt is slim but with ample hip space. The only tweaks I made were to take about 3 inches of length off the skirt and to swap the overlaps so both the bodice and skirt have the left side as the overlap rather than right/left offset, I don’t know why but it just looked better to me this way (although it works really well as designed in the striped sample).
The digital pattern overall is a nice package – you download the PDF and the instructions separately from the Fibremood site and they are clear and comprehensive in measurements, fabric requirements etc. I struggled a bit assembling the PDF pattern as the pieces aren’t super well-marked, and bear in mind you do need to add your own seam allowances – this is a bonus for me but I know some don’t like it. I did not really follow the instructions and deviated slightly in both the sequence of sewing and some techniques – I did the bias facing differently and also made a channel for the waistline elastic instead of sewing it directly onto the seam allowance.
This fabric though, right?! I got it from the New Craft House who have just expanded their workshop space due to getting a massive new shipment of amazing fabrics, all of which are deadstock (unused leftovers from the fashion industry). This is an ex-designer viscose with this incredible Roman busts print and I’m afraid to say I got the very last of the roll, however keep your eye on NCH’s site and Instagram as they have a ton more amazing prints from the same designer that they will either be putting online or selling IRL. This slightly beefy but still drapey viscose was a great match for this pattern, however I could have been a bit more careful to avoid the slightly rippled hems along the fronts – I was rushing a bit.
I made a tie belt last minute to hide the elastic waist but I think it looks okay either with or without it. This dress definitely has spring/summer vibes to me: although I did persevere and wear it with tights and boots I can’t wait to wear it bare-legged when the weather warms up.
Thanks to Fibremood for the Vienna pattern and New Craft House for a discount on the fabric!
So to start with some tragic news for this first new year post: I lost my latest Lysimaque Nenuphar jacket at my work’s Christmas party. After less than a month of enjoying it, it got swallowed by a karaoke room and I had no luck with the establishment’s lost property the next day. I’m really quite sad, I loved that jacket. Although at least on the plus side, the fabric was not expensive and it didn’t take too long to make so I’m pretty sure I will whip up a duplicate come spring.
And on another plus side, it gave me a kick to make a coat that’s a bit more appropriate to the current weather… using the very same pattern yet again.
To make the Nenuphar pattern cosy-coat-appropriate, I simply added even more length at the hem (the side seams are completely straight so it really doesn’t matter where the length is added). The total from armsyce to hem is 27″ for this one which is a nice knee length on me.
I adore the huge pockets on this pattern, and like my previous version I placed the baby pockets asymmetrically for some visual interest. The little one perfectly holds my iPhone and the big one holds my iPad – not that I walk around laden with Apple swag, but I’ve definitely loaded them up with assorted groceries when I’ve forgotten a reusable shopper bag.
I used a gorgeous charcoal wool from Woolcrest Textiles, a bargain as ever at £10/m. It’s kinda like a smooth, thick felted texture; the edges don’t unravel at all so I left the seam allowances raw and didn’t turn back the edges on the facings, which saved on bulkiness.
I decided to rework the collar area by drafting a neckline and button placket facing rather than the tricky way the pattern has you finish the collar by tucking the seam allowances under and aligning the edges perfectly with the top of the button placket – I felt I had no chance getting that neat and tidy in a bulkier fabric. My facing idea worked beautifully and was much easier to sew – it’s topstiched in place all around the neckline and down the fronts to the hem.
The nice marbled buttons are from Liberty: I confess I started wearing the coat before I’d added them (and took the picture above) but that meant I could wear the coat to go and pick the buttons out so I knew they’d match, hah.
Here’s a nice relevant picture of it in front of a tailor’s shop window in Marylebone at the weekend to finish. And I might just add a ‘return to’ address label to the inside so there’s more chance of getting it back if there’s karaoke shenanigans in its future.