Just a quick one to say I have posted about my new Helen’s Closet Yanta Overalls over at the New Craft House blog, as part of their new fabric ambassador program. Pop over there to have a read of how I found this pattern, modifications I made and how I found their white denim fabric to use (spoiler: it’s all good)…
I thought I’d wrap up Me-Made May with another update of some outfits from the second half of the month. After basically only wearing me-made trousers for the first half of the month, I did make a slight deliberate effort to wear some different silhouettes in the later half. This led to digging out some older makes which made me fall back in love with them a bit, like my Ronja dungarees and a Closet Case Fiona sundress, which I made as a wearable toile and is indeed very wearable. The weather also got nicer which meant I could ditch the RTW knitwear and my new jacket was a late-entry winner.
It’s clear to see I stuck well within the colour stratosphere I defined for myself last update:
I’m really glad to have a palette I know I feel great in – however I do miss prints sometimes and would like to find a way for them to edge back in a bit. I also have a good sense of what I want to make next to keep building on this really nice foundation wardrobe I’ve got going. Here are a few things on my to-sew list:
- Another pair of McCall 7445 in powder blue needlecord
- A couple of Wiksten midi length shift dresses – a solid and a print?
- Another pair of TPC12 in sand/tan denim from Cloth House
- Silk/cotton summer tops in blue, lilac and white – I love this vintage New Look pattern
As Zoe says in the MMM kickoff post, “Hopefully, by the end of the month, you will have learnt a whole load about yourself, your style, how you feel about your wardrobe, and how best to spend your clothes-making time going forwards.” and I certainly feel like I have this year.
The idea for this project has been percolating in my head for a while, and finally a pattern came along that kickstarted me to make it come to life. Yes, turns out a pastel lilac spring jacket was exactly what my wardrobe needed and it’s really put a bit more colour and variety into my last few days of me-made May.
So weird confession first: this is one of the very first jackets I’ve both sewn and owned. Being a rare type who doesn’t feel the cold that much, I typically wear a coat for the proper winter months, switch out to a knitwear layer for the in-between-y months, and shrug off all outerwear and go t-shirt-sleeves as soon as it’s reliably above about fifteen degrees. But this spring I felt like challenging my layering-ambivalence and having a go at making a garment that could work on top of a tee, be a useful barrier to my sometimes overly-chilly office and feel a bit more put-together than my usual cardi or sweatshirt.
I swooped on the Lysimaque Patterns’ Nénuphar jacket as soon as I saw it in my Instagram feed. I was mostly taken in by the gorgeous patchworked and colour-blocked sample but also realised that it was just the right simple project to test out my jacket needs in a low-stakes sort of way. It’s a very simple but impactful and practical design. The body is basically square with tapered dropped-shoulder sleeves, a stand-less collar (I also have a weird aversion to collars) and lovely huge pockets with an overlapped little chest pocket just for fun. No plackets, cuffs, linings etc to deal with: this lack of fussy detailing and finishing techniques appealed to both my minimalist and lazy tendencies. Win-win.
I was fairly happy with the pattern itself. I did struggle a bit with alignment of the A4 PDF as there are no page borders or match points which I think led to some seams not matching perfectly. The instructions are supplemented with sketchy illustrations and are translated from French into English. I didn’t find some areas super clear, like hemming the lower edge to get a clean finish at the front and the standless collar attachment method, but mostly figured it out using prior art, so I wouldn’t necessarily recommend this if you need more hand-holding. (I have given this feedback to Lysimaque’s owner and she is very open to feedback and providing more guidance.)
I cut a size 40 and am quite happy with the fit. The upper back is a bit too broad but I think that’s to be expected in a boxy drop-shoulder style and I wouldn’t want to over-fit it as you’d probably lose some of the range of motion. The sleeves are a touch short and quite narrow at the hem but I like the wristbone length, and the proportion of the body length is spot on for me.
I used a Robert Kaufman Ventana Twill from my stash, bought originally for Lander pants but I actually find this twill too thin and unstructured for Landers. It’s perfect for this jacket though and quickly put paid to my fears of woven jackets feeling more uncomfortable and restrictive than my usual knitwear.
I finished the jacket with my favourite flat metal buttons from Textile Garden, and did matching copper buttonholes: partly because I thought it’d look nice and partly because my spool of lilac thread ran out just as I was finishing the topstitched hem. I didn’t achieve the neatest finish at the collar-placket meeting point and I’m a bit worried the area feels quite weak and might fray over time. I sewed some bar tacks at the intersection point to try and reinforce it a bit. I chose to faux-flat-fell the other main seams ie overlocked them together then topstitched 5mm from the seam.
I wouldn’t have necessarily selected this lilac colour for a goes-with-everything jacket but weirdly I’m finding it really does pair nicely with large swathes of my wardrobe and I’ve certainly been reaching for it regularly since I finished it. I am unexpectedly keen on it buttoned up as well as loose and I like that it can be worn indoors as well as out as it feels quite shirt-like. I’m not sure I need another one right away but I’m definitely keeping an eye out for a nice forest green or black peached twill for a potential second go.
It’s nearly halfway through Me-Made May! I didn’t make a specific pledge but I’m following along sporadically on Instagram and taking it as my usual opportunity to look at my wardrobe and personal style with an analytical eye: What do I really wear? What do I feel my best in? What are gaps that I can fill with a new sewing project?
Well, one obvious answer for a start is I wear 100% me-made trousers…
I ‘ve also had one of my big semi-annual wardrobe clear-outs, in particular of my tops which are generally more RTW than me-made. I don’t buy a lot of new clothes or sew as prolifically as I did when I was learning, but things still seem to stack up: generally through items I’ve hung onto for nostalgic reasons or me-mades that didn’t quite work out and I’m on the fence about keeping, altering or recycling.
As I batched my things back onto their matching hangers, it was interesting to see that there are fairly clear groupings around colour theme, both in the hue – I only need five different hanger colours to cover almost all of my tops – and the specific tones within. I started to divide the colours into groups based on frequency in my wardrobe and tangential thoughts about how often I wear each hue and how good I feel when I wear it. I counted up each group and this is what I came up with:
My categories seemed to be:
Neutral: The basics: black, greys and cream/white. Stuff to wear when I don’t feel like deciding what to wear, or as a background to the other colours.
Primary: The colours I wear the most as accents and usually feel great in. I’m pretty sure these are the colours that suit me best and they all happen to work well as crayon-style all-over colour blocks too.
Secondary: A bit of a riff and extension of the primary palette with perhaps slightly quirkier or more fashion-led tones: lilac, chocolate, olive and sky blue.
I then pulled these colours into this little palette, which I think will be a very useful thing to keep pinned to a Pinterest board or even to physically print out and carry with me when I shop for fabric or clothes to guide purchase decisions.
Finally, my friend happened to post this little colour meme on Twitter which I posed on Instagram, and it was interesting and probably non-surprising to see that most of the answers that came through were firmly within the same colour themes: blues, browns and neutrals. Funny!
And, more importantly, all useful info to help me keeping making sure I choose to sew things that have longevity and high likelihood of regular wearing. Is anyone else using Me-Made May as a chance for a bit of wardrobe introspection?
I spent the Easter bank holiday weekend tackling a heck of a project – some Trend Patterns TPC 12 Utility Trousers. It wasn’t easy but we survived and having road-tested these pants in the following weeks I feel they were worth the effort. I’m especially enjoying wearing them twinning as a black crayon with my cat, who wanted to join me for these photos yesterday.
I’m typically loath to spend £20 on a pattern but I couldn’t get Shauni’s gorgeous version out of my head and as an almost permanent member of the trouser-wearing brigade these days (seriously, never wear dresses any more) I’m always looking for ones with interesting design details to add my my collection.
I guess with Trend – one of the more high-fashion-forward indies out there – you are paying for the drafting and design rather than lovely hand-holding guidance (or indeed an inclusive size range – my hip measurement skims the largest size on the chart). I’d already been forewarned by Charlie, who has also just made an excellent pair, that the instructions were on the skimpy side, and got an extra sense from spending an entire evening cutting the many pieces out on a single layer that it wasn’t going to be a walk in the park kind of make. To that end I procrastinated on getting started – but when I did, while there were painful bits here and there, I did have finished trousers after two half-day sewing sessions.
Fit-wise things were quite straightforward. I cut a 14 based on my hip measurement and it was easy enough to bring in the waist at the centre back and side seams to fit my smaller measurement there. There’s a nice curvy waistband so no gaping and the length is great. The only thing I altered as I went was to lop two inches off the rise as I didn’t want that super-high/super-long-crotch look. I did this straight from the waistline but I’ll alter the pattern to take it off lower down (and maybe add back half an inch) for next time. I could possibly also size down generally but I do like how comfortable these are.
The rest of the pattern however…. there were certainly parts that were cool and interesting to sew – like the origami-folded vents and an unusual but smart and intuitive fly/waistband construction – I feel like some improvements would make all the difference to the overall usability and enjoyment of this pattern, such as:
– The order of some of the steps made things harder than they needed to be at times. For example, you are instructed to close the outseam before finishing the leg topstitching and vent construction. That makes it harder to manoeuvre under the machine to reach the vents as it’s a little leg-shaped tube. There’s no reason not to sew the side seams after the vents are in which would make access much easier.
– The pattern pieces aren’t numbered and many have really similar names, which makes it hard to know which one to pick up and use at each point. Or indeed to accidentally sew (+ trim + understitch) the ‘front facing’ onto the pants instead of the ‘front fly facing’ #askmehowiknow. Similarly, notches and marks which are referenced in the instructions like the vent stop point are not labelled on the pattern either.
– The instructions have photographs for some steps, but they’re on a cream garment with white stitching so you can’t really tell what’s going on. Sometimes what’s caught in the shot doesn’t really help either e.g. if the fly one was more zoomed out I might have seen I had the wrong piece but it was a fairly useless close-up of the bottom end.
– The written instructions are needlessly confusing and need a proofread. Why write ‘attach’ ‘mount’ ‘close’ etc when you just mean ‘sew’?
– Some finishing-off type steps are not covered so a bit of judicious gap-filling is needed. Like anchoring the end of the fly and the unsecured edges of the waistband facing.
And here are a few extra tips which if you make the pattern you might want to consider too:
– It’s generally not necessary to pre-overlock the raw edges as instructed. I did it as I went which I much prefer; much less tedious.
– I would recommend pressing in creases for the hem and vents while they’re still flat as you will lose your notches after overlocking the raw edges.
– I would certainly toile or wearable-toile to get the fit and construction down before cutting into good fabric. I used a fairly cheap cotton-linen from Abakhan and it got a bit battered from unpicking in places, though I am glad these are definitely wearable.
For all my gripes about the instructions, I did mostly enjoy this project and I really like the finished pants! They feel cool yet comfy and super wearable – they’re gone into regular rotation since Easter even though the cotton-linen I used creases like a mf so needs constant ironing. I especially love those leg vents, which I’ve tried to show in motion above. I think a white denim pair would be pretty cool and I’m sure it will all go easier the second time around.
I toiled the True Bias Yari Jumpsuit last year sometime and for whatever reason (…winter, I guess) had a massive delay before picking it up again. But then I saw Sarah’s winter-white version and this Asos cutie and got on the lookout for creamy fabric to make my own. Just in time for spring, hint hint weather.
I cut a straight size 12 for the toile to fit my hip measurement but the top half turned out way too baggy, so this time I cut an 8 graded to 10 at the hip. It’s actually still turned out quite loose through the leg so a straight 8 probably would have been fine. I could possibly benefit from a small FBA on top, which would be easy to add through the princess seams next time. I love how flat the crisply-faced neckline lies though and there’s no gaping even with only three buttons. (The buttons are vintage milk glass from my endless stash. )
I was going for a relaxed silhouette but tried the suit on partway through construction and decided it did need waist definition. Also the crotch and pockets were hanging very low like it was too long in the body. I didn’t fancy the side D-ring ties included in the pattern – they look a bit awkward and unflattering to me – so I sewed a drawstring channel to the inside waistline and made skinny ties to feed through. The slight blousing effect this resulted in also fixed the length issue!
The only other tweak I made was to level off the top of the pockets to straight rather than slanted, to match the Asos inspiration suit better. I like that the deep hem at the top of the pockets matches the width of the little cap sleeve cuffs. This pattern was lovely to sew overall and unusually for me I followed the given directions almost completely, adjustments aside.
I grabbed the fabric with exactly this project in mind on a recent trip to the wonderful Abakhan in Manchester, a pre-cut piece of slubby cotton-linen blend that reminds me of silk noil costing about £8 for around 2.5m – in Abakhan you pay by weight so I wasn’t sure of yardage at the time. With creative cutting I could just squeeze the Yari pieces on (3m is the recommended yardage).
I got some of this fabric in black too and I’m tempted to use it to make a Yari sister as I reckon this will get a lot of wear as soon as it warms up a little.